Sep 12, 2014

Organic Shellseeker

Summer holidays finished, I finally had the time to take some photos of my Shellseeker done at the start of August.



I worked this pullover with an organic cotton-merino blend yarn, it's perfect for half-season as the French say, for Spring and Autumn. I already wore it in some chilly mornings we had in France in August.

The pattern is, as usual for Heidi's patterns, very well written. I like her mathematical way with stitch count given for each section, we're never lost in her patterns. I nevertheless didn't understand the Pocket instructions the first time I read them, and obviously I was not the only one considering the discussion in Heidi's group on Ravelry. I followed the advice given on the forum, that is "follow the instructions", and I've got a nice kangaroo pocket! I think it's a terminological problem, I'd have said Bottom of pocket instead of pocket lining.


Final word on the yarn: Balance from o-wool is organic (more details on this post), as Sweater from Spud and Chloë recommended in the pattern, but it's more affordable! My row gauge was just a wee bit off (28 rows instead of 27), I as a result lengthened the raglan by placing last 2 inc every 4 rnds. And that is the only mod I did :)

Notes
Pattern: Shellseeker by Heidi Kirrmaier
Yarn: O-wool, Balance: Talc & Opal
Needle: US 5 (3.75 mm)
On Ravelry: Douces rayures

Fine days are back in France, I'm knitting another striped but ligther pullover ;)

Aug 23, 2014

Japanese Short Rows?

This post was originally posted in my French blog.

I was recently in Short Rows Period: my WIPs, discovery of a new method, discussion on Twitter about the best way to wrap sts of W&T, that has given me food for thought.
Here's a little comparative study of different techniques. It's pretty long!

My default method was W&T. As this method is frequently employed in English patterns, I was used to this technique.
But you know, I'm Japanese, I compared it to Japanese methods. Yes, methods in the plural, because there are two.

You've perhaps heard of “the Japanese Short Rows method”, that only uses a slipped st at each turn. This technique only requires split markers (or safety pins, paper clips…) that you put on working yarn to mark the connecting loop. When you get back, you will lift it to resolve the gaps.

Another Japanese method uses YO and slipped st. It's the method Japanese knitters learn first as it's considered easier than "the Japanese Short Rows method". In brief, you make a YO at each turn, turn work and slip the first st of next row.

The thing those two methods have in common is "slipped st" at turns, which results in one less row than W&T method.
Here's the difference expressed in chart:

W&TJapanese methods

Grey cells indicate what you do (wrap in W&T, yo and slipped st in Japanese methods) and will disappear from RS once you resolve short rows. What we can see with the charts is that the "slope" is smoother with Japanese methods.

With a real yarn, you get this result:
Malabrigo, Silky Merino: London Sky!

On this picture, the sts just below short rows are marked with pins: from left to right, Japanese method with yo (method 2), "the" Japanese method (method 1) and W&T. And the row where short rows' gap is resolved is in darker blue. We can see that there are 3 rows between pinned row and dark row with W&T and only 2 rows with Japanese methods.

Then, Japanese methods are superior to W&T? The answer is yes and no.
Yes because the result is neater as I've demonstrated so far. And No because of the "handiness" of W&T: with the method 1, you need split markers or any other similar tool in your hands whereas you just need your needles and working yarn with W&T. As for the method 2, when resolving short rows, you simply knit the YO and the next st together on RS, but on WS, you have to reverse the YO and the next stitch before purling them together – yes, I'm slacker.

Then, what happens when you mix W&T and Japanese methods? That will be the subject of the next post!

Aug 19, 2014

Tender Peerie Flooers

As promised, here's the photos of Peerie Flooers hat in action.

The Supersoft 100% Wool from Holst Garn has got very soft after washing: stitches have become denser and the roughness and itchiness of the yarn disappeared!

The pattern being for adult, the hat needed to be adjusted particularly in height. I started with S size, worked only 3 rows of flowers instead of 4, and rewrote the crown pattern, trying to get motifs that look like little flowers...




My daughter loves it, that's the main thing. Hope she'll wear it this winter!

Notes
Pattern: Peerie Flooers by Kate Davies
Yarn: Holst Garn, Supersoft 100% Uld: Persian Rose, Oatmeal, Calypso, Ecru, Sunrise, Sweet Pea, Verbena, Clementine
Needle: 3.25mm/US 3
Measurements: 47 cm circ x 19 cm depth before blocking, 49 cm circ x 18 cm depth after blocking
On RavelryTender Peerie Flooers

Aug 9, 2014

The most jogless stripes

Yeah, the title is oxymoronic, but that is what I experimented in my work.

I'm a stripes lover and don't like seaming. I naturally looked for techniques to work stripes in round. When knitting Paulie cardigan, I came across the TECHknitter's post on the stuff, but after several trials, I gave up knitting sleeves in round and I sewed them!

I recently began (and now finished!) knitting Sheelseeker by Heidi Kirrmaier with Balance from o-wool, a pullover pattern with 2 rnds stripes all over. I remembered that there was a "jogless" stripe technique in a hat pattern I'd translated, Brynja Beret by Hélène Magnússon. I tried it and it worked marvelously fine!

Here's how to proceed (only in text).
1. You work with Color A to the end of rnd (knit the last st).
2. Slip back the last st onto LN.
3. Knit the replaced st with color B, and continue with color B to the last st.

4. At the end of the (first) Color B rnd, with RN tip, lift the Color A st just below the Color B st (both worked in previous rnd) onto LN.
5. You have Color A st and Color B st on LN. Knit these 2 sts together. The Color B st is behind the Color A one and invisible from RS.

This technique is also explained with photos in Hélène's latest book, Icelandic Handknits: 25 Heirloom Techniques and Projects (if you love the Nordic style knitting, you'll find your happiness as French people say ;)).


I all the same show you the result with photo. The arrow shows the end of the rnd. Isn't it great!?

If you've never been satisfied with other techniques, try it!

Jul 25, 2014

Stranded knitting exercise

I'm a newbie in stranded knitting. I've already tried to work some motifs, but never knitted an entire project. I'd wanted to knit a dotty cardigan for my daughter for a long time, and tried to knit a swatch with alpaca yarn, always from Drops. The result was pathetic!


I thought I seriously needed exercises and decided to restart a long-abandoned project: Peerie Flooers by Kate Davies. I'd immediately fallen in love with this pattern and tried swatches with leftovers from a scarf project (left). The result (right) was rather lovely, but I didn't start the project as I wanted something vivacious like the scarf.


More than two years have passed since then and I've got wise (?), I now appreciate this tender colour combination.

This project was a good exercise for my right forefinger: I usually knit in continental style, but I held contrasting color yarns in English style throughout this project! And to my surprise, I got a better result than the swatch with alpaca yarn.


The yarn I used is Holst Garn Supersoft 100% Wool, that is somewhat rough before washing as you know. I think this roughness worked fine here: fibers of strands hold on, which keeps the fabric from puckering. I have to add that the English style made me knit with a looser tension.



The two sizes of the pattern are for adults, the S size was too tall for my daughter despite less repeats (3 rows of flowers instead of 4). I shortened the hat by rewriting the crown, with free OpenOffice spreadsheet!

I'll post photos of the hat "in practice" soon!


Jun 19, 2014

Leticia

Today, I'm proud to share with you another pattern I've worked on, Leticia by Reiko Kuwamura.
Leticia is an airy summer shawl that Reiko designed for Serena of Manos del Uruguay, carried on an online Japanese yarn store. The shawl is named after the artisan's name she fonund on the tag attached to the skeins she got.

©Reiko Kuwamura


The shawl is worked in a rather unusual way for a shawl, from the bottom up. You first knit the lacy border and pick up stitches along one edge, and the body is shaped with short rows. Its lacy aspect is created with no yo!

©Reiko Kuwamura


Hope you enjoy!

Jun 8, 2014

Alla

Technical editing has recently become one of my professional activities.
I love this job because I can take part in "pattern making", think with designers about ways to get instructions clear and easy to follow. And of course, for the privilege of previewing upcoming patterns;)

Today, I'm very happy and proud to introduce you Alla by Hélène Magnússon that I worked on this week!

Alla is a little lacy circular yoke cardigan, light as a feather. It's worked from the top down, with a lace weight yarn and different size needles to accentuate this flared shape. Hélène was inspired by the work of Aðalbjörg Jónsdóttir, an old Icelandic woman who had created beautiful lace dresses, when she was working on a book about her.

The cardigan is very versatile, it can be worn dressed up or down. You can see many examples on Hélène's blog where you can participate to Pinterest giveaway.

The pattern is available on Ravlery or on Hélène's website, The Icelandic Knitter.

Now, I'm going to translate it into Japanese for my e-store ;)
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